From the exhibition Sculpture in Motion at the Atlanta Botanical Garden on view through October 2008 and curated by Brigitte Micmacker from Sculpturesite Gallery. Curator's commentary: "The George Rickey work in the Sculpture in Motion exhibition, Two Lines Oblique, Atlanta, 1969, on loan from the High Museum of Art in Atlanta, is a classic example of the monumental works composed of blades that became Rickey's best known legacy. The long, tapered blades used as pendulums are a wonder of empirical engineering: light-weight sheet stainless steel is wrapped around a structural core and lead weights are distributed unevenly to slow down the blades individually, a procedure Rickey used to create as much as a tenfold difference of tempo within the same sculpture."

George From the exhibition Sculpture in Motion at the Atlanta Botanical Garden on view through October 2008 and curated by Brigitte Micmacker from Sculpturesite Gallery. Curator's commentary: "In George Sherwood's reflective work, subtle changes not only of wind currents but of sunlight through the seasons, are recorded within the fluid forms. "A primary focus is on the creation of sculpture which echoes the vitality and gestures distilled from natural phenomena... My sculptures are best viewed over extended periods to appreciate their interaction with the environment." The graceful motion of the two arms of Tendrils (Gingko Leaf Variation) reveals a complex engineering system and indeed, the viewer is recompensed for taking time to decipher this ethereal sculpture."

From the exhibition Sculpture in Motion at the Atlanta Botanical Garden on view through October 2008 and curated by Brigitte Micmacker from Sculpturesite Gallery. Courtesy the Curator's commentary: "David Fried not only gives life to inanimate objects, he imbues them with anthropomorphic behavioral qualities and elaborate dynamic relationships in his series of clever Self Organizing Still Life (SOS) installations. "His acoustically stimulated interactive sculptures ... are compelling by their symbolically provocative simplicity, creating a live complex visual experience as the viewer is moved to forge perspectives on relationships, life and the universe of thought" , said Prof. Dr. Norbert Bolz foreword in the catalogue of David Fried Solo Exhibition at Neuer Zollhof Düsseldorf, 2001Here Self Organizing Still Life (SOS) Terra Incognita swiftly responds to clapping or other loud sounds by setting in motion seven brightly colored spheres atop a smooth slab of beautifully mottled green granite. The spheres chase each other, collide briskly, or hide shyly in a corner of the roped "corral" and each viewer ineluctably relates these chaotic events to life experiences, while enjoying the constantly evolving abstract compositions."

What does 14 hours of steel sculpting look like compressed into 2 minutes? This!